TIFF Film Review: “City of Tiny Lights”

Robert Keaton Maxwell

Riz Ahmed is the glue that holds this pretty solid Brit-noir flick together, the entire thing hinging on his mad acting chops. He handles that pressure well.

That and the interesting flashback side story are the good aspects of City of Tiny Lights.city-of-tiny-lights-riz-ahmed The bad are the shoehorned, convenience-laden plot and painstakingly poorly-shot action. The former means that every time Riz’s private detective needs to find a clue, someone conveniently dies or reveals the path for him, minimizing any work he’d actually need to do to solve the case. And the latter, well, it’s inexcusable. All the action is shaky-cam ridden, motion-blur hazed garbage deliberately designed to hide that the actors can’t throw down for shit. It looks awful. Not to mention the camera randomly zooms in on people during routine over-the-shoulder shots and it’s the most obnoxiously distracting stylization choice I could never have imagined.

In the end, as stated…

View original post 23 more words

This entry was posted in inspiration. Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s